Love, Victor suffers from its relocation away from Disney’s streaming service. Read rilaws's review:
, and they partly shaped the show around some of the mild criticism the film received: chiefly, that the coming out experience of Simon, a wealthy Atlanta white boy with very loving parents, showed an awfully easy version of what’s often a very painful and alienating process.on a Latinx boy from a more working class background, one whose family—well, extended family mostly, and really only in one episode—don’t seem as receptive to the whole gay thing.
It’s all very cute, very sincere. There are mild entanglements involving sex and drinking , but otherwiseis a clean, chaste show that glides around on smooth rails. Aptaker and Berger don’t do a 180 away from; they only turn a little, angling the show toward a bit more difference and difficulty but still keeping it mostly bathed in the soothing glow of screen fantasy.
That the knot is there at all is what makes the show notable. In a more perfect and understanding world, something as anodyne asLove, Victor ’s gestures toward intersectionality—specifically between sexuality, race, and class—advance it further into the progressive discourse than
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