Jacolby Satterwhite’s monumental solo show is a cathartic and immersive queer fantasy

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Jacolby Satterwhite’s monumental solo show is a cathartic and immersive queer fantasy
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.jacolbys's monumental solo show is a cathartic and immersive queer fantasy.

, his collaborative music project with Nick Weiss which utilizes recordings by Satterwhite’s mother Patricia.is Satterwhite’s first solo show at a major institution in New York, and it almost feels like a retrospective, as it encompasses so much of his past work, while also setting the stage for what’s to come. Walk through the cavernous space and you’ll see screens featuring naked and leather-clad bodies voguing, gyrating, and miming sexual acts in tangled industrial settings.

Incorporating not only his mother’s recordings but also her countless drawings of home goods that she envisioned as her dream product line,feels like a reconciliation with the past – both for Satterwhite and his mother, who passed away in 2016 after suffering from schizophrenia.When I Get Home He likens this process to pioneering artist Bruce Nauman, who also “used his body as a framework.” Satterwhite says, “Since I’m more of a postmodernist human being in the Instagram era, where data mining is the new oil currency, I believe that certain kinds of symbolic things that are my identity are things that I should use serially in the work, to make something that is much more compelling than what we should get out of data mining,” he laughs.

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