'Tree': Theater Review

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'Tree': Theater Review
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Theater Review: IdrisElba teams with playwright-director KwameKweiArmah on his long-gestating passion project set in post-apartheid South Africa, 'Tree'

, an ambitiously staged musical drama about exile, race and family secrets. Set in South Africa, this visually spectacular passion project draws on a range of personal inspirations, including Elba's screen portrayal of Nelson Mandela in, and the death of his own father.

The superstar actor-director's side career as a club DJ also bleeds into Kwame Kwei-Armah's immersive promenade production, which begins and ends with booming dance music as cast and audience mingle under pulsing disco lights. After its world-premiere residency at Manchester International Festival ends this weekend,Long in gestation,finally bore fruit only after Kwei-Armah, the Young Vic's current artistic director, came on board.

Whether this controversy will dent the play's commercial prospects is debatable, but it may help explain whyfeels a little disjointed and unfocused, like the hybrid creation of multiple authors all pulling in different directions. Elba's name in the credits will undoubtedly boost interest, although obviously not as much as a personal acting role would have done. Manchester reviews have been generally lukewarm, and most of the Young Vic dates still have tickets available.

Elzebe is brusquely welcoming to Kaelo, but wary of his investigations into the family's conflicted history during apartheid. Meanwhile, the young Englishman begins to experience feverish dreams and ghostly visitations, which Kwei-Armah and choreographer Gregory Maqoma stage as dynamic dance numbers.is full of such striking set-pieces, but it lacks conviction and coherence as a narrative whole.

A boisterous, contradictory, politically charged symbol of post-Mandela South Africa, Ofentse would have made a far more compelling lead character than the overly naive, mono-dimensional Kaelo. The issues she embodies certainly have more timely dramatic bite than her half-brother's search for his ancestral roots, which is worthy and relatable but also fairly passionless.is easier to enjoy as pageant-like spectacle than emotionally engaging narrative.

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