The surprising history of “pregnancy portraits”

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The surprising history of “pregnancy portraits”
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  • 📰 TheEconomist
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An exhibition FoundlingMuseum is the first major show in Britain to explore how the pregnant body has been rendered in art

IT SEEMS A curious paradox. For centuries women could expect to spend a significant amount of their lives pregnant, producing broods that often numbered into the teens. Births would be conducted at home, attended by female friends and family, meaning that the joys and difficulties of labour were familiar. In Britain women who bore several infants to term were seen as beneficiaries of divine favour, as children were considered gifts “that cometh of the Lord”.

In the late 15th and 16th centuries, representations of pregnancy were usually confined to a religious setting. Artists referred to the New Testament story of the Visitation : a meeting of Mary, the mother of Jesus, and Elizabeth, her cousin, when both were pregnant. The scene featured in prayer books, embellished manuscripts and wall paintings, though many examples were destroyed during the Reformation.

But these “pregnancy portraits” were something of a blip. Many British artists continued to represent gestation obliquely, if at all, throughout the 18th and 19th centuries. Pregnancy was a subject of strange shame, almost revulsion . Joshua Reynolds, painting a full-length portrait in the 1770s, complained that at almost full-term, his subject “is at a point of time when Ladies don’t look at the best.

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