Part two of Hogg’s semi-autobiographical drama, in which a young film-maker finds her creative path after a doomed love affair, is the director’s most accessible work to date
”), this is a creative coming-of-age story – a portrait of the artist as a young woman discovering her own voice. Appropriately enough, the very last voice we hear in the film’s wonderfully self-reflexive finale is that of Hogg herself.
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