The King Review: Timothée Chalamet Gets an Actorly Coronation

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The King Review: Timothée Chalamet Gets an Actorly Coronation
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Long live Timothée Chalamet

There comes a time in every young man’s life when he must put away childish things and become the king of England. Or an emperor of Rome. Or a knight. Or do something else grave and old and muddy. And when I say young man, I really mean young actor. And when I say young actor, I really mean—surely the young actor-iest young actor of them all at the moment.

Chalamet is, at first, distracting, what with his new English accent and his Shane McCutcheon cosplay. It’s just little Timmy Chalamet, doing an old-timey thing! But as Michôd’s film unfolds, Hal sobering up to take the throne reluctantly bequeathed to him by his father, Chalamet swells to fit the material. He is wiry, pensive, boyish—but he is a king, haughty and regal but decent.

Which means a lot of the raison d’etre for the film lands on Chalamet’s bony shoulders. And as a showcase for what he can do when he isn’t slinking longingly around northern Italy or being dreamy-pretentious in Sacramento,fares quite well. Chalamet does robust work, straightening his lanky posture as he goes, rising up into the role like a man ascendant.Sean Harris

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