Production designer Bob Shaw on The Gilded Age Season 2, creating a lavish world that keeps getting bigger, and designing the Opera House.
The Big Picture From creator Julian Fellowes , Season 2 of the HBO series The Gilded Age sees the Opera Wars move front and center, as Bertha Russell continues to work to solidify the leading role in high society that she desires. At the same time, Ada finds the beginnings of a new courtship while Marian questions her own feelings about romance and Agnes just wants everything to remain as it is.
Does it get easier from season to season, as you get to know the project that you’re working on better, or does it get harder because you’re building on it and it’s getting bigger? When it comes to each design, is there one thing that you do that feels like you’ve made that final finishing touch, or does it always feel like a constant and ongoing evolution? Do you always tinker with things?
I was amazed by the wider shots, seeing how everyone could interact with each other and see each other. It was just so incredible to watch all that.
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