‘The Garbage Man’ Filmmaker Laura Gonçalves On Honoring The Memory Of Her “Exuberant” Uncle

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‘The Garbage Man’ Filmmaker Laura Gonçalves On Honoring The Memory Of Her “Exuberant” Uncle
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Filmmaker Laura Gonçalves had the idea for an animated short for a few years, stemming from discussions of her uncle whenever she sees her family at a reunion. The Garbage Man (O Homen do Lixo) tak…

takes place at the dinner table, as the family gathers to remember Uncle Botão, a garbage man who lived through the Colonial War and emigrated from Portugal to France. Gonçalves was young when her uncle passed away, so she only heard stories about him around the dinner table. For the film, she dove deeper with her family and got a more personal insight into who he was.

DEADLINE: When you were talking to your family members and diving deeper into some of these things, was there anything you found out that surprised you?: Oh, yes, there was. Part of it was also because I was quite young when he died, and my cousins are all a lot older than me. There was a lot of history that I didn’t know, and especially I didn’t ask about the war, ever. It’s something that we don’t really speak about in Portugal, the war in Angola.

So, I recorded them playing, and the base of the music was given to the musician, Ricardo Santos Rocha. I knew that he was very versatile and he worked with all of these instruments. He can play everything, and that was very important for the film because I didn’t want a band to be playing. So, the creation of the music was based on my cousins playing, but it was Ricardo that wrote the music for all of the moments.

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