The Big Boss Talks: Daddy Yankee Is Teaching Reggaetón's Stars How to Own Their Careers

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The Big Boss Talks: Daddy Yankee Is Teaching Reggaetón's Stars How to Own Their Careers
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The Big Boss talks: Daddy_Yankee is teaching reggaetón's stars how to own their careers. Read the full cover story here:

hits since “Gasolina,” including the record-shattering, paradigm-shifting “Despacito” alongside Luis Fonsi. “He was at the forefront of the two most important shifts in Latin music,” says Jorge Mejía, president/CEO of Sony Music Publishing Latin America and U.S. Latin, of those two tracks. “Before ‘Despacito,’ the notion that Latin songwriters could collaborate on a world stage was not commonplace.

But final say on everything comes down to Yankee himself. “His attention to detail is unmatched,” says Simran Singh, his attorney for the past five years. “He looks at everything. He studies music today as he did 20 years ago — the numbers and the metrics, and he’s thinking about everything from the marketing side way before he releases a song.”Ambush T-shirt, Hudson Jeans pants, Y3 shoes, Richard Mille watch, David Yurman jewelry and Cutler + Gross sunglasses.

“Fans are finally ready to listen to a full album on streaming platforms,” says Yankee. “We need to create a moment, and what better people than Sir Lucian and Michele Anthony to do so? Republic has a sense of [Latin] culture, and they have a lot of Latinos in their teams. [Universal Music Latino] was my distributor, but everything else, I did on my own. Now, UMG, they’re my partners.

No one wanted to sign me. I tried. Honestly, no one believed in the music, period. They thought [reggaetón] was a fad. They’ve been telling me I’m a fad since 1990. They’ve been telling me to retire since 1990. I tookto EMI and Universal but they weren’t interested in that kind of music. Their offer was they’d pay me $10,000 or $15,000 to release it but they’d keep the masters.

That’s what I mean: Right now we have elevators, not stairs. And in music, you have to take the stairs to navigate the highs and the lows. Most of these kids talk to me, and what I see is they can’t deal with failures. They worked, they learned how to use Pro Tools and they exploded. They haven’t gone through a process. So when they hit that hard patch, which happens to all of us, how will they work through that? This generation doesn’t have the tools that are vital for longevity.

But the business is flexible, and I’m flexible in many areas. I understand that sometimes, we’re talking about cultural moments rather than simply chart position. “China” [Anuel’s hit featuring Karol G, J Balvin, Ozuna and Yankee] is a good example. I saw it as a song that was important for the genre. When we do these collabs with many artists, there are times when [I’ve agreed to divide splits] in equal parts, because it’s important for the genre.

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