Teen dreams and adult nightmares in Sofia Coppola’s ‘Priscilla’ (review)

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Teen dreams and adult nightmares in Sofia Coppola’s ‘Priscilla’ (review)
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“Priscilla,” starring Cailee Spaeny, captures all the dreaminess, the absurdity and, finally, the nightmare of falling in love with Elvis.

This image released by A24 shows Jacob Elordi as Elvis, left, and Cailee Spaeny as Priscilla, in a scene from "Priscilla." Priscilla was just 14 years-old — a 9th grader — when she first met him. It was 1959. She was living in West Germany, where her Air Force officer stepfather was stationed. The swoony early scenes of Coppola’s film find a solitary Priscilla sipping soda in a Navy base diner while a cover of Frankie Avalon’s “Venus” plays around her.

Their life together is initially sweet if deranged. Priscilla drifts through a dream world even if Elvis’ extremes are glaring to us. His bedroom in Graceland is comically gaudy. “I got this for you,” we hear Elvis say kindly, before a handgun is handed over. There aren’t many false notes in Coppola’s richly layered film, handsomely shot by Philippe Le Sourd, with sumptuous production design from Tamara Deverell and fine, toned-down costumes by Stacey Battat.

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