In the end, the Roys’ bullshit finally caught up with them.
with Matsson and GoJo. The important difference this time is that a Roy kid gets the final vote. We can see by Roman’s body language that his “no” is wishy-washy, suggesting more conviction about wanting to vaporize from the room entirely than to anoint his brother. Just being in the building has taken everything out of him.
We could have anticipated the despair that Kendall is left with in the final shots, but Tom and Shiv in the limo is something more mysterious entirely. I keep coming back to George and Martha in, who spend the entire play fighting over the course of a long, excruciating evening, most painfully over their shared illusion of a child that doesn’t exist. The central exchange has Martha saying, “Truth or illusion, George.
• Kendall calls his current assistant “New Jess.” Then Matsson relays his feelings to Tom about wanting to have sex with Shiv, which he sees as a big obstacle to giving her the job. doesn’t underline it emphatically, but the corporate misogyny that’s run through the show has been strongly detailed.from here on out. “Pain sponge” is another excellent phrase.
• “I don’t think dad gave a fuck about anything more than putting one foot in front of the other.” Shiv telling the truth.
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