Studio Chief Summit: All 7 Top Film Executives, 1 Room, Nothing Off-Limits (and No Easy Answers)

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Studio Chief Summit: All 7 Top Film Executives, 1 Room, Nothing Off-Limits (and No Easy Answers)
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“Remember, nobody has seen this movie outside of the studio.” Donna Langley, Universal Filmed Entertainment Group chairman, opens up about having to scrap TheHunt

Well, I can tell you this. The event nature of having Leo and Brad [Pitt] and Margot [Robbie] in [Sony's]was essential. You had to make a great movie … but that movie was not based on any IP at all. That is a pure original. Came out of the imagination and the headspace of one individual. Because even Disney will run out of animated movies to remake. And we have to be careful not to narrow our audience, not to think that there isn't room for originality. I think there is.

Alan and Tom, you recently had a little dispute over Spider-Man. What was the one thing above all else that resolved that standoff over Marvel producing the next Sony installment?The fan base, which is important to all of us, seemed to really respond to what Tom and his folks have done before with our people. They like the fact that the Marvel Cinematic Universe and Kevin Feige were involved [in the two Spider-Man films].

Will this partnership continue after the trilogy? Tom, you've shown you can do Spider-Man without Marvel on the animated filmYes, we have. But I agree with my distinguished colleague. This was a classic win-win-win. A win for Sony, a win for Disney, a win for the fans. The only thing I would say is that news cycles and the rhythm of negotiations do not necessarily overlap. And this is, in the words of Shakespeare, a consummation devoutly to be wished.

I understand. Let me finish. I also think part of it is just the aspirational way that Ted [Sarandos] and Cindy [Holland] built the TV side, which Jen understands, coming from network TV. It was for television creators to get out of ratings and Standards and Practices and actually free up their narrative form so that they could tell stories that weren't [influenced] night after night by those numbers. So the methodology was right. And now, as we have grown … we are used to it.

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