No Way Home’s VFX team could not predict how fans would run with their work
, was part of Marvel’s grand plan. But when we recently spoke with Scott Edelstein, a VFX supervisor for Digital Domain, one of the production houses that worked on, he explained that while the studio runs a tight ship held together with precise coordination, he and the rest of his team had very little sense of how the public was going to run with and remix their work.
I can’t tell you how many times we’ve been in meetings with lots of people where we’re talking about stuff, and things are being actioned during the meeting. Before the meeting ends, stuff is already finished, and you’ve already looked at it and approved it, whereas before, people had to go back to their desks an hour later, and then get into it, andIn part, yeah. For me, part of what was cool about working onwas the daily review process.
So we almost just kept his head for the whole time, but then you have to talk about his weight, his movement, and how you make it look like he’s not just floating. We paid a lot of attention to grounding it in a little bit of reality.
So, there’s a couple of things that go into this. For one thing, their inner lights change color depending on who’s in control. If you watch the old movie, you sort of get it even though the continuity of that maybe wasn’t so strong, but in this one, we really wanted to pay attention. When the lights inside are red, it means that his chip is fried, and so the arms’ AI is 100 percent in control.
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