Coming off his best actor win at the Berlin International Film Festival for the Wang Xiaoshuai-directed “So Long My Son,” Wang Jingchun is this year acting as a main competition jury member at the …
Variety
Also, foreign and Hollywood films have come in, and everyone’s seen everything. When audiences have seen more things, their taste improves, and they start to realize that they don’t want popcorn films to be the only option. It’s really now just a problem of the cinemas, who just want to make money. But the arthouse box office is higher and higher every year, which proves that audiences have these needs, and that theaters have at least started to provide a platform for them to see this stuff.
I met Xiaoshuai when I was very young, and loved his films and that power they had. But perhaps there are many people who prefer how he is today, especially in “So Long, My Son.” I think who he is today is different. His heart is bigger, and he sees the world from a higher vantage point. He has a broader vision, so I think his art, his thinking and the films he’s able to create can move more people.
The way people speak at age 20 is also very different from the way a 40 or 60 year old speaks. The place in the throat where their voice is coming from changes, since as you age, your voice comes from a deeper and deeper place. Most people probably don’t think about this, but I analyze these things carefully.
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