Review: ‘Umma’ explores our nightmare of turning into our mothers

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Review: ‘Umma’ explores our nightmare of turning into our mothers
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In writer-director Iris K. Shim's 'Umma,' Sandra Oh plays a woman haunted by her estranged mother.

Their seemingly peaceful life is shaken up when Amanda’s uncle arrives from Korea to deliver the remains of her estranged mother — her umma. And as if the unwelcome parcel wasn’t enough, the uncle adds in terse judgement on how Amanda has chosen to live her life and raise her daughter. Chris, on the other hand, is surprised to learn that her mother has kept so much of her past a secret.

The film’s PG-13 rating means the visual horror is never too gruesome, with much of the scares taking advantage of the atmospheric tension made possible by Amanda’s visceral fear of electricity. Think more classic Gothic horror than ghastly over-the-top occult. But that’s plenty to keep viewers such as me, who frighten easily, on edge as the story progresses.

What’s more poignant is the exploration of how trauma dealt and experienced by two generations of mothers are interrelated. “Umma” is not the only film released this month addressing complex

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