Attending a fringe festival is always equal parts excitement and frustration.
There are 14 productions in this year’s Calgary Fringe Festival and the program’s promo blurbs are equally intriguing but, more often than not, the ones you deem priorities are playing opposite one another.
To London’s horror, the boy has never even seen a play. He skipped the school field trip to see Romeo & Juliet, opting to watch a film version instead. Kerbes’ reactions to these revelations are hilarious. The twist in Russell-King’s play occurs when teacher and student begin to switch roles. It is eventually Parker who can teach London how to exorcise her demons if only she will listen to him.
In this format, it would be a dynamite play for Lunchbox Theatre and, as a full-length play, it will be a gem for any professional theatre.Article contentFlash, a song-cycle musical, is the story of an interrupted journey. It is an excellent and powerful allegory for what happened to so many artists during the pandemic when their livelihood and life’s purpose were threatened.
When Page sings I’m Fine, she implies people think of Earth as being fragile. She insists she doesn’t need to be pampered but is as strong and independent as those who feel sorry for her. It was most clever of the writers to have the entire cast join Page in a reprieve of this song at the end of the show, bringing new and important meaning to those lyrics.
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