Review: ‘Dora and the Lost City of Gold’ gives us the Latinx heroine we need right now

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Review: ‘Dora and the Lost City of Gold’ gives us the Latinx heroine we need right now
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The beloved character of Dora, with whom Gen Z grew up, becomes a winning 21st-century heroine in this perky action-adventure flick that pulls heavily from “Indiana Jones” and other kid-friendly action-adventure classics.

These days, there’s no intellectual property that hasn’t been mined for a big-budget, live-action Hollywood remake. But the adaptation of the popular educational kiddie cartoon “Dora the Explorer” into the summer-friendly romp “Dora and the Lost City of Gold” is a no-brainer.

To adapt the interactive kiddie show into something a bit more sophisticated to appeal to the preteen set who are no longer the preschool set, director James Bobin and co-writer Nicholas Stoller have brought a healthy dose of irony to the format. Their leading lady, Isabela Moner, proves to be more than up to the challenge of walking the fine line between sincere and silly in her performance.

Her parents ship her off to “the city” to live with her aunt, uncle and cousin Diego to study the indigenous culture of American high schools and pick up some social skills while they go off in search of Parapata, an ancient Incan city of gold. The quartet gets separated from the pack on a field trip, then kidnapped to South America by a group of bounty hunters hoping to use Dora to find her parents and swoop in on the treasure. Alejandro , an academic friend of Dora’s parents, rescues the kids, and they make a break for it into the jungle.Moner’s layered comedic performance, which at once nods at the “Dora” formula while acknowledging the conceit, is deceptively difficult and nuanced.

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