A new museum exhibition in Paris focuses on the last months of Dutch master Vincent van Gogh before he shot himself in 1890.
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On or around July 10, then came yet another Van Gogh marvel — a painting of a tidy garden with a prowling cat. And the day after that, July 11, the artist appears to have headed back to the fields, likely having risen early as was his habit, painting them spotted with blood-red poppies, under skies of swirling blue.
After arriving May 20 in Auvers and checking into an auberge, Van Gogh immediately got busy with his brushes and paints, apparently polishing off at least seven paintings of houses, flowering chestnut trees and Dr. Gachet's garden in his first week. The exhibit includes 11 paintings that Van Gogh painted on unusual elongated canvases, experimenting to stunning effect. Their dimensions — 1 meter long, 50 centimeters tall — give the paintings a dramatic, wide-screen, panorama look.
Equally poignant, but also unnerving, is “Tree Roots,” in part because it is thought to be Van Gogh's last work.
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