'I love the idea of not making music for a long time and focusing on whatever. Anything. I do think at the core, though, cinema has always been the main thing I’m attracted to.' KevinAbstract imagines life post-Brockhampton. From our Winter 2021 issue.
had already founded what would become Brockhampton, one of the 21st century’s most ambitious and essential music groups, and run away from his conservative Mormon family to make it on his own. Now 25, he’s grown up in public, releasing albums both sexually and sonically adventurous, while pulling stunts like livestreaming a ten-hour run on a treadmill.
ABSTRACT: The most beautiful thing about it is that there’s no fear, and you can feel it from watching the video, listening to the song, and the tone of his voice. And even with how he promotes it—just how proud of it he is. That has me so inspired to go big and not shy away. Because I think sometimes, when I’m being vulnerable with my music and my art, it’s easy for me to get scared and want to hide it because it’s so personal.
ABSTRACT: Right. And it’s easy to get caught up with that stuff, because the audience will send you so much praise for representing them. I can become addicted to that praise and think, “I’ve got to do that again.”ABSTRACT: Yeah. But the key to real success is to fully be me when I’m making something. That’s how I actually get the validation and the praise that I want.
EMORY: It’s because Miles really lived that shit and he never tapped out. The kids know when you’re reaching for relevance. His band would also change every four to five years to get in new blood. So I think that’s another part, too, really supporting a scene. If you’re not trying to support the scene that you’re drawing inspiration from, you’re just ripping them off. You need to bring them into your world as much as you go into theirs.
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