Kali Uchis embodied a torch diva, Hollywood starlet, and bad bitch reggaetonera at her sold-out Radio City Music Hall show. Our review from the Red Moon in Venus Tour:
shone bright over three archways flanked by stairs bathed in colored light. From stage-right, old Hollywood feathers covered the woman of the hour, carried onstage by her dancers á la Cleopatra. A dancer came out, announcing the arrival of “La divinaThe feathers parted, and the spotlight turned to Uchis, a monochrome red vision in a long-sleeved top paired with thigh-high heeled boots and a short skirt. Greeted by a shrieking crowd, she boldly kicked the night off with “telepatía.
These daring statements — an entrance worthy of a vintage showgirl, the underlying mysticism, an abundance of dancers in place of a band, kicking off the night with her biggest hit rather than saving it for last — defined Kali Uchis’ Red Moon in Venus Tour stops in New York City. The two sold-out nights at Radio City Music Hall coincided with the full moon eclipse in Scorpio — Uchis, dripping glamor, understood the cosmic assignment.
After “telepatía”, Uchis’ set smoldered. With the TikTok hit that finally got her much-deserved mainstream breakout of the way, the stage was set for a night devoted to her longtime fans. Throughout, Uchis embodied all of her multiplicities: the indie R&B siren, the hypnotic house diva of Kaytranada’s “10%”.
A crucial midpoint for Latinx fans: a dembow perreito that saw her channel legends of El Movimiento like Plan B, Don Omar, and reggae en español originator El General while also highlighting Panamanian artist Lorna’s genre classic “Papi Chulo… Te Traigo El Mmmm”. The two evenings, down to the seemingly perfect astrological planning of it all, were as opulent as the legendary Art Deco room she was playing. Between swaying, singing, and interacting with her dancers , Uchis gave a polished and elegant performance.
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