New LPs by Margaret Glaspy and Caroline Rose combine smart songcraft and glossy sounds.
Margaret Glaspy’s second album begins with a brief jolt of vocoder that recalls the statement-making opening to “Oh, What a World,” a highlight from Kacey Musgraves’ 2018 album. Musgraves’ synth-country blockbuster provided a template for how roots-based songwriters can strive for modern pop ambition without sacrificing songcraft., the latest from New York singer-songwriter Glaspy, is one of the most fully-formed efforts to come out in the wake of.
“Anybody with a pulse, or even half a heart, has a reason to be foaming at the mouth,” Glaspy sings on “Angry Again, a forcefulabout being paralyzed by one’s emotions . That raw track feels like an aberration from Glaspy, who usually writes with uncommon emotional dexterity and precision. When Glaspy asks, “who’s the clown, and who’s the savior?” on the bouncy “Stay With Me,” the song’s refrain pokes fun at the idea that any such categorization could ever be so black and white: “Me/You/Me/You/Me/You.”
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