How Warhol Turned the Supreme Court Justices Into Art Critics

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How Warhol Turned the Supreme Court Justices Into Art Critics
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The point of recycling art is most often “not to encourage communal creativity but to give a kick in the pants to the past,” adamgopnik writes. “Transformative copying transforms only when it has an edge, and that edge cuts.”

), for use in a special-edition magazine published after Prince’s death. Goldsmith seems not to have known that Warhol had produced a series of works based on her own, aside from the agreed-upon 1984illustration.

The two opinions certainly make for chewy reading, not least because the question of what is recycling and what is theft is one of the oldest and knottiest in the aesthete’s arsenal. A connoisseur of these things, with whom in a distant time I shared a bunk bed, has beautifullythe subject from the specific view of what a working “appropriation” artist is to do now that appropriation has been put on warning.

And here one might find common ground between Justices Kagan and Sotomayor, if one accepts that the quality we think of as added artfulness in a borrowed image is almost always much closer to parody than to piety.

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