The actress discussed the difficulty of working with the animation technique and also working her 'idol,' co-star Bob Odenkirk.
The actress discussed the difficulty of working with the animation technique and also working her"idol," co-star Bob Odenkirk.is not your average animated show. Using mind-bending rotoscope animation, the dramedy is unlike any other show on television and takes animation to a new level.
"You're working a lot more than you normally do because if we needed to do this setup and then they needed to move a camera, or the lights for my setup, or your setup, or a wide or a close up, it would take time and we’d go to our trailers and smoke cigarettes and play on our phone, but that's just not the case when you're doing rotoscope because there is no downtime and we would shoot anything between 10 to 23 pages a day," she said.
Staying consistently busy on set reminded Salazar of her theater background, saying, "It really felt like black box theater and it had the momentum of black box theater and you do get to stay in the moment. I don't like sitting around and putzing on my phone. I like being used. I remember telling my agent, 'I just want a job where I can be used. Where they use me, all of me,' and I got my wish.
Salazar also discussed working with co-star Bob Odenkirk, calling it the "highlight of my entire career." "He's someone I grew up idolizing and watching," she continued. "He's such a genius. He's so incredibly talented and he’s a good dude. He's a really, really nice, great person so it was such a joy to play with him. He's so quick and so sparring with him in a scene is like a master class in being in the moment."
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