The film’s DP and production designer created each location to have a different “strong identity.”
The fictional Redwood City, the most colorful of the towns in the film, was created at Cerro Pelon Ranch, then owned by designer Tom Ford. “Jeymes was very clear that he wanted it not to be a dusty old Western town,” says Whist. “He wanted color. … He wanted an original town and original look.”
Maysville was scripted as a white town, meaning all its residents were white. “I was like, ‘Well, we should just make this town white,’ ” Whist remembers suggesting to Samuel. “Everything white. All the buildings, white. All the horses, white. The ground, white. The bank, white. And he looked at me and just laughed. And he was like, ‘Yes, absolutely.’ “
In contrast, there was Douglastown , which was designed to be a “rough, really dark” outlaw town. “It was shot at night, and it was not about color. It’s about creating another dramatic identity for the town. And this one was just rough and tumble and muddy and wet with lots of fire out on the exterior. Mihai lit it up gorgeous.”
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