How Meg Remy Made U.S. Girls' Messiest, Funkiest, Most Ambitious Album Yet

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How Meg Remy Made U.S. Girls' Messiest, Funkiest, Most Ambitious Album Yet
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.YouSGirls’ Meg Remy spoke to us about her latest art-pop triumph, ‘Bless This Mess,’ which she made largely while she was pregnant with twins. ⬇️

alone. The album was created piecemeal over email with a variety of collaborators, a process necessitated by the pandemic, but one that was also welcome after recording“We made it in one week. I did it, and I don’t need to do it again,” Remy says. “I feel that’s common in my life, though: To complete something, and then go to the exact opposite place.”, Remy began to excavate her past with new intensity, a process she continued with even greater daring and vulnerability in her 2021 memoir,.

Singing was a particular challenge. Her diaphragm, the muscle used for breathing, “this passageway I knew very intimately, knew how to use to create sounds, had completely changed,” Remy says. “And my voice changed with it, and my confidence.”Still, at 34 weeks — “That’s like being 50 weeks pregnant with one baby!” — she was in the studio, tracking vocals for the starry-eyed “St. James Way.”

Amidst these changes, Remy found guidance in ancient myths. “I needed stories that were as grand as what I was experiencing,” she says. “To tell me, yes, you have three hearts in your body, you have three times the blood — this is some epic shit!” , she notes that myth’s purpose is “to give us stories about having a body,” adding, “What comes from bodies? Everything. We don’t have experience if we don’t have a body.

“We are all the Daedalus of our lives,” Remy says. “Seeking help can be good — therapy, advice from others. But really, I think that we all know, deep down, the answer to whatever question we’re asking. If we could just think creatively, basically, allow ourselves to be fearless, take risks, tie a string to an ant, see what happens.”

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