She may have originated in New York as Elizabeth Woolridge Grant, but Lana Del Rey has become the preeminent modern practitioner of the California sound. On Oct. 10, she takes the stage at the Hollywood Bowl.
is puttering around the kitchenette of a rented luxe cabin, while a couple of her musician friends hang out on the porch. It’s exactly the kind of idyllic spot in the cradle of L.A.’s ‘60s and ‘70s folk scene — the onetime home of her hero— where you’d expect to find one of the world’s most dedicated California music enthusiasts.
On Oct. 10, she’ll take the stage at the Hollywood Bowl, a venue whose place in rock history is very meaningful to her. She cites the famous 1968 Jimi Hendrix show at the Bowl where audience members got naked and climbed in fountains as her model for an ideal Bowl show. She has a couple of special guests in mind for next week, and has been mulling an Eagles cover if she can pull it together and it’s up to her standards. “It’d be so fun to do ‘,’” she says. “It’s really hard to sing, though.
It feels like you’re being a lot more public during the release of “Norman F— Rockwell” than you were for your previous albums. Was that always your plan for this one? First of all, and this is very me, there were a million beautiful reviews that I didn’t read. And then I randomly see this one thing. In the piece, she said that I’d overcome something, and the way she said it one can only assume she meant I’d overcome child abuse. I’m like, “Don’t bring kids into it. Even if it’s me.” And I’ve never said anything about that.One can only assume. I’ve put a lot of stuff out there on the table. But I’ve been very appropriate in other ways.
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