Owen Kline's portrayal of comics-obsessed losers eclipses American Splendor and Ghost World in a story so vividly unpleasant it should have stink lines
cares much for superheroes anyway. It’s the hardcore stuff—underground filth like Zap Comix, MAD Magazine, or the strips owned by King Features Syndicate—that inspires their misdirected passion. Most of the references won’t land with common folk outside of Popeye, Dick Tracy, and Scrooge McDuck.
The horrors of that apartment must be seen to be believed, but eventually our young hero ends up meeting Wallace , a possible sociopath who once had a marginal job in the comics industry. To Robert and his acne-riddled pal Miles, Wallace is a celebrity, and potentially a pathway to a real career in the world of illustration. But to Kline’s tremendous credit, he tells it straight—this man is a disaster, and there is no bonding road trip in this duo’s future.
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