Mac Miller’s mixtape 'Faces' showed his growth while housing some of his most unfiltered material
, which was produced entirely by Miller.
They didn’t want to leave, either. The clubhouse environment lent itself to belly laughs that cleansed the soul, among other mood-altering alternatives. You can hear golden nuggets on many of the recordings from The Sanctuary: the sound of the functional but falling-apart door to the booth creaking open and shut at the end Miller’s final verse on “Friends.
“You literally had to pry him out of the studio with a crowbar because he had to go shoot this scene [for his MTV2 show],” recalls Berg. “It became an issue of,? He wanted to be in there because life was hard and there were all these challenges, but the studio was his sanctuary. It was just like, no more fucking shows, no more fucking labels, no more anything. We’re just going to be in this room making music. And that’s what happened.
And yet he could put his peers and listeners at ease even in his most vulnerable moments; he outwardly exuded a goofy, light-up-the-room aura. “I’m the only suicidal motherfucker with a smile on,” he raps on “Malibu,” evoking a darker, more developed spin on the “No matter where life takes me, find me with a smile” sentiment heard on “Best Day Ever” in early 2011.
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