Found footage anthology finds a future by pushing the rules
achieved. It's still very much straight off the production line , but also feels like the first time that the year-specific era ofThe biggest experiments come from directors Scott Derrickson and Mike P. Nelson – Derrickson in content, Nelson in form. Derrickson's"Dreamkill" is assembled from police footage of a series of grisly murders – including some that seems impossible unless it was shot by the killer.
Similarly, Nelson actually gets to weave two separate stories to create an anthology-within-the-anthology: bloody beachfront romp"No Wake" ends on a cliffhanger, which is wrapped up with a sick, sly grin by the seemingly unrelated"Ambrosia." Not that everyone is trying to reinvent the wheel, and newcomer Natasha Kermani successfully mashes together early VR and 1980s experimental performance art in"TKNOGD" for a good, old-fashioned gross-out splatter comedy. Similarly, Gigi Saul Gurrerro gives a supernatural spin to the carnage of the 1985 Mexico City earthquake with"God of Death," a recovered broadcast from a TV station.
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