Celebrating the unsung heroes of late night television, from production designers to footage producers
.” “When we find people who can take on more, it only helps us in the long run. A lot of people on our show started as interns.”,” echoes Flanz’s sentiment and emphasizes the importance of having good communication and relations between the myriad departments that need to coordinate with little room for error.
“The best thing is that they trust me 100%,” Trabbie says. “They tell me they want this or that, and we just make it happen. There’s no time for meetings to talk about the color of the drapes. If you tell me you need a New York loft set, I’ll just do it.” ” footage producer Eliora Noetzel. Her job is to monitor TV news footage nearly 24/7 to search for moments that may spark jokes for Colbert’s writers or be worthy of running as standalone clips.
Her biggest challenge is keeping up to the nanosecond with the news cycle so that the show doesn’t miss a beat. There are monitors in “Late Show’s” studio that allow her team to watch four networks at a time. On Sunday mornings, Noetzel screens all five major public affairs shows , on the hunt for material. She says she’s a news junkie by nature, but now she mostly watches with a detachment that is all about the show, rather than the real world.
“They’ll find trends within the news or the way things are being reported,” adds Opus Moreschi, “Late Show” supervising producer and head writer. That trend-spotting often leads to the many quick-cut montages that the show features of Trump and other politicians spouting talking points, among other trends. “It’s all terrifying to me — I’m glad they’re the ones doing it.”
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