Christopher Nolan uses sound in his films to immerse the audience in the movie experience, with Dunkirk being a prime example.
The Big Picture As cinephiles throng to the theaters for Christopher Nolan's latest cinematic marvel, Oppenheimer, there is one aspect of his storytelling that often remains shrouded in mystery — his intricate world of sound. Renowned for his grand-scale filmmaking and unconventional narrative techniques, Nolan's breathtaking visuals have earned him legendary status in cinema. However, it is the underappreciated domain of sound where another facet of his genius lies.
One of Christopher Nolan's primary objectives with sound in his films is to provide viewers with a visceral experience. Just as his visuals have a point of view, so do his sounds. He seeks to place the audience in the characters' ears, allowing them to share their emotional journey firsthand. This approach is evident across Nolan's films. In Tenet, where Nolan was criticized for certain incomprehensible dialogues, he asserted that it was a deliberate creative choice.
Authenticity is another pillar of Nolan's sound design philosophy. If a sound can be achieved in the field, that is the path he follows. In Oppenheimer, Nolan eschewed CGI, filming and recording everything practically to maintain authenticity. In a promotional video for the film, Nolan said that he instead used visual effects to showcase some of the microscopic elements of the nuclear explosion as well as filming ''some giant big bangs out in the desert.
Christopher Nolan's Use of The Shepard Tone But the one sound technique that crowns Nolan's filmography is his manipulation of the Shepard Tone. The Shepard Tone is an auditory illusion that creates the effect of a continually rising or falling pitch. In Dunkirk, Nolan uses this sonic illusion to create an ever-increasing sense of intensity, heightening tension masterfully.
Christopher Nolan's remarkable use of sound in Dunkirk and his entire filmography offer invaluable insights into the critical role sound plays in filmmaking. By skillfully manipulating techniques like the Shepard Tone and employing authentic sounds, Nolan demonstrates that sound is not merely an afterthought but an indispensable storytelling tool.
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