.JacobOller dives into the third season of Castlevania and how the show has only gotten better after the defeat of its Big Bad (*spoilers ahead*):
has escaped Dracula’s thrall. The big bad vampire lording over the land fell in the penultimate episode of the Netflix show’s second season—and, in the aftermath of Dracula’s death, all that’s really changed for the world ofis that there’s a power vacuum in Eastern Europe and its central characters have lost their external purpose.
; Ellis has really made Season 3 into the existential horror season. The psychedelia only really takes hold in a single one of the-esque split storylines , leaving the rest of the show to wander in its angst. If the first seasons were an ordered progression of good against evil, Season 3 dramatically confronted its characters and instantiated change—giving the anime depth beyond its final boss.
The church itself is heavily symbolic of the larger plot. It is rife, like all fallen churches, with existential fallout. Dracula’s death did not solve anything and, in some instances, made lives worse thanks to the increasing amount and boldness of night creatures. So perhaps Dracula was good, preaches Prior Sala . Perhaps Hell, in fact, rules very hard.
However, this isn’t the only danger the season presents—and not everyone has a companion to lean on. Ellis has crafted his thematically linked arcs to show how exploitation and cruelty can run rampant throughout society, all in service of a search for purpose.
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