.HollyHerndon's latest album, PROTO, is essentially her doctoral thesis come to life. See it here.
” holds the distinction of being the very first song on a commercial album aimed to trigger ASMR, or autonomous sensory meridian response ., a documentary produced in partnership with Dropbox, which shines light onto Herndon’s process. Central to’s uncanny valley-esque vocals is something called Spawn .
Spawn uses machine-learning programming to produce sound on its own from scratch, thereby “singing” by mimicking the voices of Herndon, Dryhurst, LaPlace, and an ensemble made up of her friends or anyone Herndon knew who had voice training or a musical background, which she assembled weekly at her home in Berlin. Herndon created training sets, which Spawn uses to create its own musical contribution.
When Herndon starts explaining Spawn in more detail, she gets so animated that she starts to break a sweat. But after taking her sweatshirt off, while breaking down her intent for her AI baby, Herndon bemoans how much AI research in music is focused on training neural networks to approximate a particular piece of music or style. She uses Beethoven, naturally, as an example.
With Spawn, Herndon wanted to be able to move beyond these entrenched narratives. “How can this technology be used in a way that’s not this kind of retro mania where we’re just regurgitating the past?” she says. “That’s not how music develops.” Humans are essential in Herndon’s project, and in shifting paradigms surrounding machine intelligence. “We wanted to have a sonic fingerprint of the vocalist involved, and deal with AI more as a performer.
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