“Back to Visegrad” opens, appropriately enough, with Miresha, a former student at Eastern Bosnia’s Visegrad Primary School, driving through a series of long tunnels hacked into a hillside. Mi…
” opens, appropriately enough, with Miresha, a former student at Eastern Bosnia’s Visegrad Primary School, driving through a series of long tunnels hacked into a hillside. Miresha is in many ways still in a psychological tunnel herself.
Made by two now slightly infirm people who, rather like their Zastava, are not dome yet , though slightly battered – she has a pain in the abdomen, he’s losing his hearing – their mission is a moving lesson in humanism. interviewed Biro about her first documentary and Jaccoud, a distinguished screenwriter, co-scribe of Ursula Meier and Bettina Oberli about his directorial feature debut.
The picture which emerged is found in other documentaries at Visions: Youth, here very young, the victims of the ambitions of an older generation. Could you comment? Jaccoud: I was first asked, as a screenwriter who had worked in the Balkans, by Julie and her producer Elisa Garbar to help to create the story from the elements Julie had already collected. Then Julie suggested that I board for the real adventure, making the film. Having worked in Chile on Stephane Goël’s “Islanders,” I really enjoyed the exciting, sometimes scary, freedom of shooting a documentary that can’t be written or over-planned like a fiction film.
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