In Cord Jefferson cinematic adaptation of Percival Everett’s Erasure, American Fiction emerges as a hard-hitting commentary on identity, storytelling, and the microaggressive terrains of the publis…
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In Boston, meets up with his sister Lisa who works at Planned Parenthood and is going through a messy divorce. They visit their mother who is losing her memory to Alzheimer’s and they aren’t sure what to do about it. Sitting around at lunch one day, Lisa has a heart attack. This brings their estranged brother Cliff who is a pill popping, alcoholic, plastic surgeon whose life has also fallen a part due to a divorce, so now he’s back in the family fold.
One of the film’s boldest claims is its critique of the publishing world. Known for its fleeting interest, the industry often cannibalizes what’s trending, sometimes at the loss of quality and authenticity. This mechanism is painfully evident in the portrayal of Black trauma – a raw and tender narrative that the media seems drawn to. While Black stories are in demand, there’s a lurking resistance to seeing Black individuals truly flourish.
In Hollywood, Jeffrey Wright has effortlessly held his title as one of Tinseltown’s most reliable leading men. Throughout his career, he’s masterfully stepped into the shoes of a diverse array of characters from all corners of life. The ensemble cast, featuring luminaries like Tracee Ellis Ross, John Ortiz, and Sterling K. Brown, among others, adds depth and nuance to the narrative.
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