'My observation of what they've created and the tiny bit that I have observed is a thing of absolute beauty.' Here’s your first look at CursedChild Tony nominee Noma Dumezweni as Prince Eric's mom, Queen Selina, in TheLittleMermaid:
The Little Mermaid
, however, there are multiple numbers, like "Under the Sea," set… well, under the sea. "It was quite daunting to think, 'How are we gonna create an underwater musical?'" he admits. "We know the Esther Williams underwater musicals where they're holding their breath. This is a whole different thing," Marshall continues. "The whole idea of how we're gonna do this was so complicated."developing an outline that broke down their plan of attack.
Bailey remembers spending most of filming in a tuning fork, a mechanism that locks an actor into a harness that then can spin and rotate to emulate swimming. Other times she was on wires or a combination of both. "It was an intense routine of having to be in the gym by like 4 a.m., working out before you go to stunts, and then you're on the harness and in that world in the air for hours at a time and your core is burning all day, and your legs and your arms," Bailey says.
The physical demands were also an adjustment for McCarthy. "Rob wanted me to experience the tentacles and the space I really took up," she says. "So I had eight dancers around me, each one puppeteering a 10- or 12-foot tentacle. I would swoop to the left and all of these dancers would come with me. Then if I'd reach out for something, one of my tentacles really would go out and bring something back.
In lieu of facial capture, which would mean planting those green dots all over the actors' faces to record their expressions, Marshall turned to the Anyma, which he cheekily admits is an unfortunate name "because it sounds too close to something else." The technology is a system used to help make
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