5 things we learned from Dreamville's Revenge documentary
The positive creative energy exuded throughout the David Peters-directed doc is reminiscent of whatsessions in Hawaii at the top of the decade. If the appetizing four tracks that have already been released are any indication of what's to come, Friday should be a fun one for hip-hop fans. 1. J. Cole Wanted to Change His Perception as a Loner
Last year, Cole began to realize that the public perceived him as someone who didn't care for collaborating with others in the rap game, even if that was unfair because he would engage other artists in private. "When I meet other artists in the game, I really have great conversation with them," he says within the first couple scenes. "People don't know that because I'm so secluded in a sense, and I realized that.
"My whole career, I been in a room with me and at most a select group of people I fucked with," Jermaine continued. "I'm reaching a point in my career over this past year [that] I don't want to look back 20 years from now and be like, 'I never worked with nobody, I never had no fun.' So I had this idea, let's go somewhere, lock-in and invite a bunch of outside producers and artists to come fuck with us and just make this album.
"It's a frenzy. You gotta find your spot, whether that's writing or making a beat because there's so many people coming through and those spots get snatched up. Within 30 minutes they might all be taken," said Dreamville's Omen. Dreamville co-founder Ibrahim "IB" Hamad felt that the sessions breeded competition, but in a positive way. "To me, it did a couple things. One, it created competition in a good way," IB explained. "It made people feel like, 'When I get my chance, I got to show out.' Two, it made people have to break out of their shell." 's infectious personality made him the coolest kid in the room.
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